Still Life in Charcoal

I decided to try something besides an ellipsis, so I braved sketching this trio at home. I think it still needs “something,” but I stopped when I couldn’t figure out what to correct. This time I turned the pitcher to face the opposite direction. And yes, somehow that makes it harder for me, which is why I do it.

The trio of objects for my charcoal sketch: a blue ceramic bowl, a pear and a white pitcher

The trio

The sketch of the still life: the bowl, the pear, the pitcher with a handle

The sketch

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I had trouble arranging the sketch pad and the objects for this photo. I wanted to show the lighting that I used for the sketch, but then the sketch itself was too dark. If I turned on the overhead light in my “studio,” (the corner of my dining room), then the still life trio was too bright. Oh, well.

The photo shows both the sketch and the art objects

All together now

The newsprint paper that I’m using doesn’t seem to be the same as what I use in class. What I have at home causes my charcoal to scratch instead of lay in and it’s very hard to erase lines. And erasing is very important for me. I’m going to use what I have anyway, and next time buy a different kind, maybe a “smooth” newsprint.

Ellipsis in Charcoal

I managed to sketch two ellipses in my last art class; that’s two ellipses in three hours. Hey, I’m getting faster! (Yes, really.) I also took notes after I finished the second ellipsis; three pages of notes on how to sketch an ellipsis. This is the ellipsis I drew at home. It’s an improvement over my previous efforts.

A sketch of an ellipsis, with lines criss-crossing as reference points

Yes, I needed all those lines for reference.

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And while I’m going around in circles drawing circles, my friend Therese at the next station is forging ahead with the sketch for her oil painting.

A still life sketch with an apple, a purple onion and a tall mug

The onion looks like the onion!

The objects for the still life sketch: the apple, onion and mug

The trio