Creedmoor Blooms (1)

Our spring is in full bloom here in central Texas and I decided to take some time to photograph what Mother Nature is providing. I counted 17 flowers around the yard but photographing them turned out to be one of those things easier said than done. Here is the first set.

Azalea

Azalea

My routine was to put on my boots (as the ground was still wet from rain), go out with my camera, photograph the flowers, come back in, take off my boots, load the photographs to the computer, and review them.

Bluebonnet

Bluebonnet

Oh, it was easy enough to photograph the flowers, but when I reviewed the photos, I started out with about a 50% blurry rate. That meant putting on my boots again, going back outside, photographing some of them again, coming back in, taking off my boots, loading the photos to the computer, and reviewing them. Talk about a ‘rinse and repeat’ cycle.

Evening Primrose with small guest

Evening Primrose with small guest

I did this seven times. Seven times to get photos of 17 flowers. I know it’s not this hard for everyone, but I am mostly teaching myself and there seems to be only one way to learn: The Hard Way.

Honeysuckle vine that found its way to the top of an Italian Stone Pine tree

Honeysuckle vine that found its way to the top of an Italian Stone Pine tree

This is a good time to mention that I wasn’t just taking one photo of each flower. I took several photos of each flower. I changed my distance and position in relation to the flower. I changed the aperture. I changed the ISO setting. I changed the shutter speed. And sometimes I had only blurry photos.

Back outside I went.

I’ve taken beginning DSLR photography classes, read books, read online articles, checked out the Nikon website. Most recently I attended a wildflower photography workshop and came home with about the same success rate: 50%.

Honeysuckle vine on the fence

Honeysuckle vine on the fence

I learned a lot in the workshop and I learned a lot from my workshop failures, but those I didn’t see until I loaded the 237 photos to my computer at home once the workshop was over. I haven’t had a miracle insight or anything as to why so many of my photos are bad, but I’m getting a clue. I hope. I will continue to work on learning the correct manual settings.

I’ll just keep putting on my boots and going outside.

Scarlet Leather Flower, Take 2

After looking at other photos with textured backgrounds, I realized that if the background was mostly transparent, it would work with a foreground with a lot of detail. So I worked on the Scarlet Leather flower again, this time with rain drops as the background.

Red Flower

My first effort¬†working with the flower photo wasn’t successful, that’s for sure.

Shutter Flutter

I’ve spent all this time learning how to take clear, crisp photos and in doing so I took hundreds and hundreds of blurry photos. Now I’m learning how to blur the photo on purpose. This requires a low ISO, a slow shutter speed, and manipulating the zoom as the camera takes the shot. I take a lot of photographs to get just one acceptable clear one and, as it turns out, I do the same when I’m trying to blur the photo. Lots and lots of photos.

This is a piece of Japanese embroidery that my grandmother created. The embroidery technique has a name, but I’ve forgotten it. In any case, here is my artistically blurred photo.

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Windows, Set 2

The focus of this photograph set is Windows. The first three are from the Vanishing Texas River Cruise.

Resort 1
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There’s a bird on top of this houseboat (left side). I didn’t see it until I got home and looked at the photograph on the computer screen.

Houseboat

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Doors and windows

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At Mother’s Cafe and Garden, Austin, Texas.

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