Mola Book Cover

I recently took a two-session Mola Book Cover class at Sew Much More, taught by the fabulously talented Edie Kemp.

First we sewed our design through seven layers of fabric. Then we cut out the designs, choosing which fabric layer to expose.

The Mola book cover design is sewed and a few sections have been cut away to show the bottom layers

Design sewn and starting to cut away the layers

More of the design cut away

More of the design cut away

Here it is, all cut out, squiggly quilted, embellished and sewn around the edges. The instructions called for it to be bound in the traditional quilting manner, but I liked the zig-zag sewing a lot, so I went around the cover’s edges three times. Then I figured out that the binding also served to attach the closure loop. Oh.

It’s always something, isn’t it? Especially for people who don’t follow the instructions. That would be me, in this case. I read the instructions; I just didn’t follow them.

Book cover quilted, embellished and edges sewn

All dressed up

I managed to add the pen/pencil holder, per the instructions.

The inside of the book cover

The inside

And here it is with the composition book inserted.

Composition book inserted

Ready to write!

Fortunately for me, it stays closed without the loop and button closure.

Closed, ready to carry

Ready to carry

Weekly Photo Challenge: Treasure

Mother Nature’s treasures.

Blue Jay in winter

Blue Jay in winter

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A treasure for me: an independent bookstore. There are several in Austin. BookPeople is my favorite.

BookPeople

BookPeople

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I also appreciate the people who created the hot spot technology. We are on Day 16 without our regular Internet service. They are waiting on a part for the tower. I’m considering starting a crowd-funding campaign so they can buy a 3D printer and make their own parts.

On Tour

A couple of years ago, I drove to Houston to see author Patti Digh at a bookstore. She was on tour, promoting her book, Creative is a Verb. Although not what I usually consider “in the area,” Houston was the closest tour stop and so I decided to head on out to the Big City (as I call Houston) to see Patti. I picked up my friend, Judy, in Brenham and off we went.

I have three pieces of artwork in two of Patti’s books (Four Word Self Help and Creative is a Verb), and she had requested that people bring their artwork so she could see them in person. Woo-hoo! This meant that I was also “on tour” with my artwork.

Actually, I go “on tour” all the time. My tours are nothing like Patti’s (or any other author or artist, for that matter). I don’t go out of town and I don’t have anything for sale. My tours are self-arranged and self-promoted and are limited to the people I can hunt down at the office work with.

I’m an early bird and often the first one to park in the garage and the first one in the office (sometimes before 6:00 a.m.). But as a true artist, I don’t let that little detail get in my way. I start my tour right away, before I even get to my desk. First stop is the security officer. “Ben,” I say, “look what I have!”

Quilt top blocks for the Carpenter's Star pattern, arranged on top of my bed

Carpenter’s Star, arranged

No matter what I bring in, a 4×6 quilted postcard, a watercolor or acrylic painting, a quilt top, Zentangle envelopes, pillowcases, table runners, miniature art quilts, pencil drawings, blouses, wallets, or tote bags, Ben is appropriately appreciate. I cannot tell you how good it is to start a tour with a positive reception; it makes all the difference in the world.

I then have a break in my tour schedule, as I wait for my office mates to trickle in over the next few hours. I check the clock regularly, gauging how much time they need to settle in before I show up at their cubicle with my stock statement, “I have show and tell!”

My first watercolor painting: sunflowers in a terra cotta vase

Look! I’m an artist!

When it’s time, I announce — to no one in particular — that I’m going “on tour.” My scheduled stops include my division director, several department heads, all the administrative assistants on my floor, the credit union lady, a few more security officers, as well as my quilting block-of-the-month cohorts.

Once I’ve exhausted the captive audiences in my building, I head on over to the annex for three more floors of potential artwork admirers. I usually take the catwalk between the main and annex buildings and anyone standing in the catwalk taking a break gets drawn involuntarily into my showing and telling. The same goes for anyone who gets on an elevator with me: I consider them fair game.

A fabric postcard, crazy quilt with a dragonfly in the center

Dragonfly postcard

It has happened, on occasion, that I’ve been on tour right before a meeting and didn’t have time to take that day’s masterpiece back to my desk. No problem — for me, at least — as I take the artwork with me. Ah, a new audience. As they arrive, I tell the meeting attendees, “This will only take a minute,” and then I show them.

Sometimes I’ve been lucky enough to have appointments away from work on show-and-tell days. After I sign in, I bring out my artwork to share. My dentist’s office (the receptionist, dentist, dental assistant and hygienist), my physical therapist and his assistants, I make sure to include them all.

No one, but no one, is safe from me when I have show and tell.