Being Organized

I decided I’d had enough of the disorganization in my sewing room. There was only a narrow path to the sewing area between stacks and stacks of stuff. Just stuff! I spent two days going through everything, sorting like with like and then putting it all back.

Now I can’t find anything. If I can’t see it while standing at the doorway, I don’t know where it is. Here is my serger thread rack, hanging on the wall. It was already there, before the reorganization effort. (Thank goodness!)

Now if I could just find my serger . . .

A serger thread rack hanging on the wall

I think I need a few more spools, don’t you?

Mola Book Cover

I recently took a two-session Mola Book Cover class at Sew Much More, taught by the fabulously talented Edie Kemp.

First we sewed our design through seven layers of fabric. Then we cut out the designs, choosing which fabric layer to expose.

The Mola book cover design is sewed and a few sections have been cut away to show the bottom layers

Design sewn and starting to cut away the layers

More of the design cut away

More of the design cut away

Here it is, all cut out, squiggly quilted, embellished and sewn around the edges. The instructions called for it to be bound in the traditional quilting manner, but I liked the zig-zag sewing a lot, so I went around the cover’s edges three times. Then I figured out that the binding also served to attach the closure loop. Oh.

It’s always something, isn’t it? Especially for people who don’t follow the instructions. That would be me, in this case. I read the instructions; I just didn’t follow them.

Book cover quilted, embellished and edges sewn

All dressed up

I managed to add the pen/pencil holder, per the instructions.

The inside of the book cover

The inside

And here it is with the composition book inserted.

Composition book inserted

Ready to write!

Fortunately for me, it stays closed without the loop and button closure.

Closed, ready to carry

Ready to carry

Mardi Gras Quilt

In honor of Mardi Gras, I present my Mardi Gras quilt.

In February, I took a two-session class at Sew Much More, taught by the talented and gracious Terri Waddle. The class instructions said to bring several single-color or tone-on-tone fabrics. In my stash of about a gazillion pieces of fabric — a slight exaggeration, but not by much — I usually have zero pieces that are plain or tone-on-tone. My tastes run to fabrics with bright prints: flames, lightning bolts, dogs, cats, and roses, for example, and anything batik or Asian.

What’s an art quilter to do?

Fortunately, my friend Shelly gave me a fat quarter set of — TA-DA! — some really nice single-color fabric for Christmas. Just in time! Once I saw how bright the quilt was with my new single-color fabrics, I named it my Mardi Gras quilt.

Jig Saw quilt pattern read to trace

Pattern ready to be traced

Fabric legend

Fabric legend, very important

Quilt half-done

Starting to come together

All pieces

Only one more piece!

Quilted and bound

Quilted and binding finished. It’s a miracle!

Disappearing Nine Patch Auditions

I recently completed a quilt top, using the Disappearing Nine Patch pattern. The sewing was easy. The hard part was laying out the blocks and deciding which arrangement to use. Here are a few possibilities that I considered. (I had to move the dog bed out of the way.) I wish I had taken photos of the blocks before I cut them up. Oh, well.

Possible arrangement for the quilt top

Audition 1

Quilt top arrangement

Audition 2

Quilt top arrangment

Audition 3

Quilt top arrangment

Audition 4, just right

Now, to get it quilted and put on the binding. Don’t wait up.